As you have now guessed I don't shy away from colour when it comes to design and decoration. While neutral colour schemes can be calm and soothing sometimes a bit more excitement is required. Our red sitting room is used mostly in the evenings to gather with guests before dinner.  We wanted a glamorous wow effect for this space. We decorated this room back in 1988. It hasn't changed very much over  the years. We started with the two two seater sofas covered in a Warner's linen called 'Chinese Panel'.  The sofas inspired the red wall colour. The colour we wanted to  evoke was laqauer red of a antique tray or  reminiscent of Pompeii. The incandescent lighting and the red walls make everyone glow in this room. The walls are finished  with a glazed 'broken colour'  effect, that gives  the colour both more depth and creates the illusion of space.  To balance the rick red walls we used a soft gold coloured ceiling, off white skirting boards and timber work and bronze coloured picture rails. This room was the first one we did in this house. It was the room to escape to when the rest was a demolition and  renovation site. It is furnished with an assortment of pieces from different eras. The coat cupboard was made by Max's grandfather  in the 1920's. A three legged cricket table circa 1760 made from elm was my first antique purchase in my new job at Crichton Interiors many years ago. I decided to set a policy of each year buying an antique piece to slowly build a collection of treasured items. It came from Lee Harper Antiques in High street, Armadale.  The country Chippendale carver Max bought from John Dunn Antiques. We covered it in a piece of crewel embroidered cotton that picks up the warm rust colour of the room. A pembroke table from C1790 holds a quirky collection of crystal bottle  stoppers. They refract the light. A fur rug made from Fox paws covers the old pine floor, that we waxed to keep the colour soft.  To add some modernity the brass and glass coffee table  sits on the rug allowing the rug to be seen as well as Max's childhood collection of rocks and minerals displayed in a  display case, also made by his grandfather. The paintings on the wall range from my dodgy fake 'our lady of the snow" 15th Century  oil to early twentieth century New Zealand water colours, to an oil known as' the pirates and pumpkin people' from the mid 1970s. Defintely an eclectic mix.  We added 'silken satin' curtains that spill onto the floor and lots of cushions in treasured fabrics, hand printed silk taffeta, patterned velvet, cotton damask and even a chintz pattern with a monkey in the design. This room is nicknamed 'monkey's room' as the Chinese Panel' fabric has little green monkeys in the design. I added a monkey cameo to the stencilled border on the floor and we found a bronze monkey candlestick.

I have been reading a really lovely blog called Aesthetic Oiseau by Daniela M. Shuffler. Daniela lives in Washington and documents her design adventures and shows pictures of her pretty little house that she and her husband have been renovating. I love to see how other people tackle renovations. Between projects Daniela post images of fabrics, rooms and accessories that inspire her, and a post about a 'quadrille' fabric caught my eye. I recognised this fabric  as I had seen in a book that I own, but it was a stencilled screen. It is a very eye catching pattern. I love the centre motif and the leaf border that curls around a small checkerboard. Then the other night I was sorting my 'World of Interiors'  magazines into date order
 ( yes, sad I know) and I naturally was having a little peek at the articles  as I worked and I spied this same pattern used as upholstery fabric on a sofa. It was acknowledged with the name of 'Victor Hugo'. So I did some 'googling' and found that this fabric was produced by Pierre Frey and they have reissued it, under the name 'Le Manach Prints', and this pattern was named after Victor Hugo, famed author for Les Miserable, who is thought to have owned the original document that inspired this fabric. It seems that Victor Hugo too, was keen on interior decoration and design. He designed his own apartment in Paris and at one stage he owned a country house as well.He was very fond of chinoiserie and created very exotic richly coloured interiors. 
But wait there is more to this story. Years ago when Max and I developed the decorating scheme for our red sitting room I adapted the border I saw on the screen and stencilled it as a border on our pale coloured pine floor. We were minimising the sanding of the black japanned edges and decided a painted and stencilled border would frame the old pine boards well.